In previous posts (July 13 and Nov. 2015) I’ve mentioned a number of oddities along the Arizona Canal that runs past my house. As I’ve said, my early morning bike ride down the canal often reveals surprises, sometimes in the form of amusing graffiti but just as often in the form of abandoned or otherwise unheralded public art—such as the rather mysterious sandstone sculpture below.
I decided to get to the bottom of this and found more than I expected.
The primary reference that Google turned up was a brief essay titled, “Arizona Canal Demonstration Project Sunnyslope Community” crediting M. Paul Friedberg – Landscape Architecture and Jackie Ferrara – Artist.
(update: this ASLA link no longer works but I have the original Word doc describing the project)
This is apparently part of a “multi-room” landscape art project from 2001 and the sandstone design turned out to be the fourth “room.” Each room supposedly illuminates one or more of the environmental characteristics that contribute to the uniqueness of this area.
I gather the sculpture above is an artistic interpretation of either the Salt River or an ancient Hohokam tribe drawing of the 2,000 year old canal system. The Hohokam flourished in the Phoenix valley from 300-1450 CE.
A close look at the sculpture reveals two sets of openings, one of which appears to be a dual nozzle which may have been intended to create a water/stream effect. Or it could simply be an alien!
The canals are operated by the Salt River Project (SRP) and while the canals are technically a utility corridor, meant to deliver water to this desert metropolis, they’ve historically been associated with recreation.
Recently, a longtime Sunnyslope resident told me that maintenance of the various artwork installations—the sequence of five outdoor “rooms” at intervals of approximately 500 to 700 yards carved into the berm—was abandoned for budgetary reasons when a different authority took over management of the berms and paths.
Now, here’s a rundown of the various “rooms,” in sequence starting from the Central Ave and heading southeast toward 7th St. It’s not entirely clear which rooms are which from the write-up but I think my guesses are reasonably on target.
First room: the “circle room”
Now, here’s an amazing little peculiarity of the Circle Room: if you stand dead center, you can create a strange auditory “echo” effect — much like those so-called “whispering galleries” where your voice is amplified beneath a dome or a vault. Except that here, a person standing outside the very limited circle, more than 2 or 3 feet, just hears your normal voice. But you hear your voice as though it’s being piped into a microphone. Everyone who has seen this acts blasé at first, like, “OK what’s the big deal?” But when they step into the small circle and try it out, it’s “Whoa! What just happened?”
I have no idea whether the designers intended to create this effect or if it’s just an unintended artifact of the circle. You’d really have no idea to even try it unless you came upon it by chance or someone told you about it…like I just did.
Second room: the “water room”
The fourth room, seen at the top of this posting, is called the “map room”
Fifth room: the “grass room”?
This is described as a rectangular space outlined on three sides by a stone seating wall. “A planting bed of tall exotic desert grass creates a spatial frame around the sitting area, thus focusing the visitor’s view toward the top of the grass and the canal.”
Obviously the “planting bed” was a budget victim. And, oddly, one can only wonder what force of nature caused part of this very solid-looking wall to break away in two places (one shown here).