You only get one question…

…then shut up and let others have a chance.

I was at a delightful one-man storytelling event at the Tempe History Museum the other night. The performer adopted a variety of costumes and facial devices as he related historical commentaries on the parade of Native American tribal customs from the past thousand or so years – Hohokam, Atzlan, Yaqui and Pima to name a few. The Hohokam (“those who are gone”) are considered to be the builders of the original canal system around the Phoenix metropolitan area.

Zarco Guerrero did a great job of keeping the tales lively and brief and after about 40 minutes the crowd of 50 or so enthusiastic attendees of many ethnic backgrounds was invited to ask questions or give comments.

One woman in the front row was quick to raise her hand and was recognized by the moderator. Her comment, about the Pima tribe’s long-staple cotton, was rather detailed and took a couple minutes to explain. Zarco acknowledged the excellent information with good grace and we were ready for more questions.

Three or four people were recognized by the moderator around the room, each offering a quick question or comment.

And then…and then…our first row lady struck again. From my spot at the end of the second row I could see her hand going up, but I could also see seven or eight hands throughout the room.

Alas, the moderator recognized her again and she launched into a second 4-5-minute commentary.

Now, I’ve seen this kind of thing at several different casual public meetings and always wondered at the self-centeredness of people seated toward the front who think they can just keep asking questions. They don’t look around to see who else is trying to get attention. And almost as bad, the lecturer doesn’t either. Even worse is when there’s a moderator or host who doesn’t scan the room, especially the middle and back areas.

So my rule is: You get to ask one question, with maybe a brief follow-up for clarification. Then you get to shut up for a while.

Look around the room. If no hands are raised, go ahead and ask another question. Then, after five or ten minutes you can jump back in…

…or be prepared for a good old-fashioned Salt River dunking.


Zarco performance photo by the author. Poster from Tempe History Museum promotional site.
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Trippin’ along the Arizona Canal

In previous posts (July 13 and Nov. 2015) I’ve mentioned a number of oddities along the Arizona Canal that runs past my house. As I’ve said, my early morning bike ride down the canal often reveals surprises, sometimes in the form of amusing graffiti but just as often in the form of abandoned or otherwise unheralded public art—such as the rather mysterious sandstone sculpture below.

There’s no sign or other indication of why or how it appeared on the raised berm between the paved pathway and gravel path adjoining the canal itself.

I decided to get to the bottom of this and found more than I expected.

The primary reference that Google turned up was a brief essay titled, Arizona Canal Demonstration Project Sunnyslope Community” crediting M. Paul Friedberg – Landscape Architecture and Jackie Ferrara – Artist.

This is apparently part of a “multi-room” landscape art project from 2001 and the sandstone design turned out to be the fourth “room.” Each room supposedly illuminates one or more of the environmental characteristics that contribute to the uniqueness of this area.

I gather the sculpture above is an artistic interpretation of either the Salt River or an ancient Hohokam tribe drawing of the 2,000 year old canal system. The Hohokam flourished in the Phoenix valley from 300-1450 CE.

A close look at the sculpture reveals two sets of openings, one of which appears to be a dual nozzle which may have been intended to create a water/stream effect. Or it could simply be an alien!

The canals are operated by the Salt River Project (SRP) and while the canals are technically a utility corridor, meant to deliver water to this desert metropolis, they’ve historically been associated with recreation.

 

 

Recently, a longtime Sunnyslope resident told me that maintenance of the various artwork installations—the sequence of five outdoor “rooms” at intervals of approximately 500 to 700 yards carved into the berm—was abandoned for budgetary reasons when a different authority took over management of the berms and paths.

Now, here’s a rundown of the various “rooms,” in sequence starting from the Central Ave and heading southeast toward 7th St. It’s not entirely clear which rooms are which from the write-up but I think my guesses are reasonably on target.

First room: the “circle room”

 

 

 

 

 

 

Now, here’s an amazing little peculiarity of the Circle Room: if you stand dead center, you can create a strange auditory “echo” effect — much like those so-called “whispering galleries” where your voice is amplified beneath a dome or a vault. Except that here, a person standing outside the very limited circle, more than 2 or 3 feet, just hears your normal voice. But you hear your voice as though it’s being piped into a microphone. Everyone who has seen this acts blasé at first, like, “OK what’s the big deal?” But when they step into the small circle and try it out, it’s “Whoa! What just happened?”

I have no idea whether the designers intended to create this effect or if it’s just an unintended artifact of the circle. You’d really have no idea to even try it unless you came upon it by chance or someone told you about it…like I just did.

Second room: the “water room”

Third Room: the “time room” —  yes…it’s an actual sun dial!

The fourth room, seen at the top of this posting, is called the “map room”

Fifth room: the “grass room”?

This is described as a rectangular space outlined on three sides by a stone seating wall. “A planting bed of tall exotic desert grass creates a spatial frame around the sitting area, thus focusing the visitor’s view toward the top of the grass and the canal.”

Obviously the “planting bed” was a budget victim. And, oddly, one can only wonder what force of nature caused part of this very solid-looking wall to break away in two places (one shown here).

 

I’m putting my money on ancient aliens as seen from these artifacts, with characteristic beady eyes, metallic, hook-ended legs and strangely bicycle-like form.

 

 

 

 

 

 

 

 


All photos, except Hohokam illustration and canal map are copyright (c) 2017 Jim Veihdeffer.
In case you’re interested in exploring this mile-long stretch, you can start at Central Ave. just south of Dunlap and head southeast along the left side of the canal. The first room is about 2/10ths of a mile from the overpass, with subsequent rooms at more or less regular intervals. Most bikers are not even aware of the installations, but they’re pretty obvious if you take a moment to just observe.The nine canals that make up the Valley’s canal system were developed over the past 100 years. Each canal has a unique history and service area. Work on the Arizona Canal that runs past my house began in May 1883